The Gift of Aloneness

Statement:
There is a significant difference in being lonely and being alone. Loneliness is an emotional reaction to the absence of company. It’s the ego’s selfish way of reminding you that it exists. The gift of aloneness should be treasured, yet it is often detested. It takes courage to be alone. Cherish seclusion and take pleasure in the moments where reflection, contemplation, imagination and creation give birth to your future. Stay in tune. When the presence of another is needed for communion, your spirit will always direct you to where you are supposed to be. Perspective:
It is hard at times to ignore that fact that our telephone is not ringing or our door knob hasn’t been knocked what seems like ages. We as humans have a propensity to become so accustomed to the beckoning of our friends, loved ones, admirers and suitors that when silence enters into our space, we grow concerned; afraid even. I encourage you to recognize silence and alone time as a chance to remember you – remember who you are and where you come from. Spirit has/is presenting you with an opportunity to fine tune the individuality that is hidden beneath your proverbial hood. Sometimes these moments of self-grooming are necessary, so that when those who were seemingly absent return to your space, your new and radiant reflection will serve as an inspiration for others to find delight in their own alone time.

I was recently inspired by the words of an acquaintance, Debbie Lynn Clark-Laughlin when she stated that “loneliness is being uncomfortable with being alone. Being alone is mandatory for clean thought without judgment. When you are alone you can listen, when you are lonely, you hear nothing but distortion and corruption of your soul. Embrace the solitude; relish your visions in your heart. Remember that there is nothing better than you and…you should be honored to be in your own company.”

The great Taoist master Lao Tzu says, “The ordinary men hate solitude. But the Master makes use of it, embracing his aloneness, realizing he is one with the whole universe.” This implies that until we master the state of being that finds us connected to Source of all provision, we may never discover the jewels that bring joy to our spirits. I have come to discover great profundity in the notion that life is truly counting on us to be ourselves. How can we do this if we have no idea who we are? How can we know who we are if we are constantly surrounded by the presence of others? Most of us see ourselves through the eyes of others. That is the natural cause and effect of maintaining relationships – it is how we come to know who we are and who we are not. But the true cultivation of self comes when there is no one else around.

I share these words of enlightenment with you not because I am trying to teach or show you how to find peace in your bouts of loneliness. No, I am simply sharing them because I too struggle with fighting the overwhelming need to solicit pity when I feel there is no one in the world who “loves me.” I am constantly reminding myself that this proclamation is nowhere near valid; that my sentiment of isolation is really self-imposed grief.
My life is not designed like most. I come from a very small family of four (a sister, mother and father) where for some reason being exposed to extended family was not high on the priority list. Needless to say I am paying for it in my mature years as I do my best to live a life with very little familiarity. In fact I have very little contact with anyone (my mother, my sister and an aunt) who shares the same bloodline as me. There are no family vacations, reunions or get-togethers for me to look forward to when holidays, birthdays or special days of recognition come around. I didn’t design my life to be this way. I am not intentionally alienating myself from existing family members whom I have never met. It is just how the cards fell. True, it can get rather lonely, yet I try with all my might to direct my self-centered, woe-is-me thoughts back to the spirit within so that I remain in alignment with the Creator of all things. It is the only way with which I can be directed to the kindred spirits that are available for interaction and exchange. I now know that as long as I stay focused on the lack in my life, it is all I will ever have. Therefore much of my attention goes towards that which I am grateful to have attained in my evolution – including the great people who have crossed my path and are in my life.

Embrace your solitude. Sidestep the fear of being introduced to the things you may not like about yourself. Find a way to recognize areas you need help with so that you can overcome the things that may be hindering your from experiencing complete fulfillment. In balancing peace and comfort while in the presence of self, you can reflect on areas of change that will enhance your physical experience so that it is parallel to that which of your spirit. Rid yourself of negative emotions regarding things that may be present/absent in your life. Take delight in the opportunity to discover new things, new tastes, new sights and sounds. Go someplace you have never been. Do something you have always wanted to do. Meditate. Find the rhythm of your heartbeat so that you may boogie with the call of your life. Use your imagination to travel to new places without even leaving your door step. There are a plethora of things you can do to make the best use of your alone time.

Lastly, here is something unique I have recently discovered happens once I manage to shift my perspective from loneliness to seeing the gift of aloneness as an opportunity to replenish that which seems to be missing. Once comfort of being with myself – rather than by myself – has settled in, I notice that I will receive a phone call or a text messages from someone I hadn’t heard from in a long period of time. Invitations to places I’d always wanted to seem to arise from out of nowhere. My awareness of and appreciation for my surrounding will bring about the manifestation of a tune played that will remind me of all the cherished times I have had the pleasure of experiencing throughout my life. I recognize that had I been distracted or involved in useless things just to fill a void, some of these things never would occur.


Now, because I am comfortable with self, I can trust that my spirit will always directs me towards that which I need, including the time to sit alone.



Affirm: Regardless of circumstance or environment, I am never alone as long as I have me. My ego does not determine my state of existence when there is no one else around to distract me. When I am alone, I am peace, I am love, I am spirit – I AM alive and fully present.

K Banks ©2009

Artist of the day: Debbie Lylnn Clark Laughlin.

Title: True Color 2

Open Your Heart

Be like nature. Much like the ocean remains accessible to that which flows from rivers and streams from the highest of mountain tops to the lowest of reservoirs, allow your heart to be uncluttered of scars, pain, and weakness. Allow that which serves to be an obstruction in your brook to be used as the very thing that will purify your waters as you connect yourself the great Abyss from which you were created.

In order to maintain balance at the center of your being, place emphasis on working from the inside of your life (spirit) to the external personage (body) that you present to the world. It does absolutely no good to work from the outside in. Take a look around your current surroundings. See if you can find a method that would serve not only as a solution for clearing up your space for the sake of peace of mind, but would also be affective in clearing out all the junk that keeps your heart clenched or unreceptive to that which needs changing at your core. You will find that it is just about impossible to alter the aesthetics of your existence as a means of eliminate the internal mess that no one can see but you.

Throughout my journey, I have discovered that one of the easiest ways to maintain balance in your life (both internally and externally), is through purification and the purging of all emotional miscellany that keeps you from attaining the life you aspire to live. It is also the most affective way to begin your ascension towards acquiring inner peace which will ultimately lead to the manifestation of harmony in your external existence.

Your authentic self, which is roused by the Spirit dwelling at the center of your being, can only be moved through the balance – or lack there of – maintained in your heart. I encourage you to do the work it takes to heal your heart of its wounds. Only then will you be able to have increase in all areas of your life. To preserve balance, one must possess a heart that is receptive, unimpeded, egoless, and courageous. These are the very characteristics that will help you navigate your way through uncharted territories with the confidence that comes with being connected to all things positive and abundant.

Having a clear and open heart will enable you to experience life from a love-inspired perspective (something we all were born with but have somehow lost along the way). Though probably the most challenging task in obtaining balance in your life, maintaining clarity will also allow for the natural ebb and flow of giving and receiving, which is also innately inherent within each and every being on this planet. Positive expectation will become the natural state in which you carry out your day to day existence. Just your presence alone will grant affirmative outlooks to others who connect with you throughout your day. Thus, at long last you will be compelled to walk in the spirit of knowing are heir to goodness and abundance that the Creator provides.

I can attest to all that has been mentioned above by simply offering my presence, my gift of word and my passion for inspiring unto you. You see, I am a woman who once waded in the shallow but deadly pools of pity, spending much of my time waiting and expecting a change in my life that never seemed to manifest. My background would never serve as proof of the woman I have become today (well, I digress as I suppose it would be a matter of perspective). Pain, dysfunction, and emotional confusion have led me to walk down pathways that look extremely dissimilar to the life I am living now. I harbored resentment and detested the authority figures of my childhood for neglecting to carry out the deeds of parenting (God bless my parents for I love them very much today and understand they did the best they knew how) in the form of which I felt I needed in order to flourish. For years I had no concept of what it meant to be strong. I was only strong by default; because I had no other choice. I made choices and surrounded myself with people that could have been detrimental to my success, because it was what made me feel better. Though it sounds ridiculous, as long as I was miserable, filled with anguish and had someone to blame, I was actually happy – content with being unhappy.

The day came where I got tired of living in sadness. I was exhausted with searching for love in all the wrong places and collecting the pains administered by sufferers who had no other outlet but in someone else who looked like them emotionally - me. I grew weary of being happy about being unhappy. In that moment, I succumbed to the desire to live, to thrive, to be something other than what my past had dictated for me. I made the decision to do the work to rid myself of anguish and disillusion; to start healing my heart and forgiving myself for having lived in such a fashion for so long. I also began to forgive the people of my past so that I could move into my future as a contributor of light, rather than a perpetuation of darkness.

Now…I can see the flow of life. I can see my connection to the Source of all things. My heart is an ocean, and I put effort into keeping my rivers flowing freely. I am even more mindful of where I channel my energies. It was most challenging when I first began my quest, however over the years, being centered and tapped in to peace and love has become a very prominent part of my existence. It is who I am.

I have been asked on many occasion, how it is that can remain so positive, so inspirational, so empowered and so encouraging, considering where I have been and where I come from. I do not really have an answer, for it would serve as a means of an ego-centered self to take credit for that which has been designed for me to carry out. I will say this, the change in my life, in my outlook and in my connection came about the moment I decided to open my heart. It is my aspiration to inspire others to do the same.

Affirm: Even if for a moment, an hour or a day…my heart is open and free of all that has hurt me. Just like the Source exists for me, I am also a source to those who are in need of something that I can offer naturally.


Spotlight Photographer: Vladimir Piskunov

Imagery available at istockphoto.com

October Spotlight Artitst: Photographer Marlo Herring

Marlo Herring
Through the Eyes of a Magician

Upon first glance of Marlo Herring - standing approximately 5’ 8” wearing a fitted tee shirt, sneakers, short Mohawk, and a contagious smile accompanied by a charming personality - you will initially notice a confident stride and a never-emptying coffee cup in his right hand. After some consideration, it would be safe to assume that this cat carries the air of an artist. Even after an in depth conversation about live and its universal rhythms, his choice of medium remains a mystery to those who are merely satisfied with his presence alone. Nevertheless, most are quite intrigued when they learn that Marlo Herring is a photographer and equally impressed when the degree of his gift is finally displayed; the very gift that also makes him a magician in his own right.

Raised in Atlanta, Georgia, Marlo Herring’s first influence of photography came from his father and watching nature shows. Being an “only child” of a father (and mother) who used a 35mm SLR camera in the 80’s to document family events, there is no wonder how the curious urges of this budding artist paved a path towards the discovery of his own purpose and passion.

Still, it wasn’t until he reached the age of twelve when the desires of becoming a photographer began to push Marlo across the threshold of mind-numbing reality and into a world of imagination. An inquisitive mind propelled him to learn more about the camera and how it worked. There he discovered, in the womb of his father’s camera and the pages of National Geographic, his first love – journalism photography. In the 11th grade he was introduced to the idea of Commercial Photography by a man named Cedric Pendleton (who would later introduce Marlo to Darryl Lane), where he learned that there was more to photography than taking shots of the wild animals of the Sahara or current news events and tragedies; that there were actually opportunities for photographers in advertising, promotion and marketing (headshots, ads, posters, press kits, etc).

After attending Clark Atlanta and acquiring a degree in Graphic Design, Marlo continued on to spend the next three years as a photographer’s assistant to two prominent photographers in the area: Earnest Washington and Darryl Lane. One of his greatest inspirations comes from a man by the name of Henry Cartier-Bresson – a photographer known for “capturing the decisive moment.” As photography is an ever-changing and ever-evolving industry of sorts, Marlo finds himself absorbed in incessant intrigue. “There is always something to learn about photography,” Marlo states. Because of this, Marlo has attained a greater appreciation for the notion of using his camera as a perfect means to bridge the gap between art and technology. “Man, photography for me…it’s magical…being able to capture a once in a life time moment. It’s what keeps me interested. If eyes are a window to the soul, then a camera is a window for the eyes.”



An enthusiast that recognizes the ingenuity exuding from the images captured by Marlo would have to wonder if his works are in fact intentional or magical moments seized by accident. “I use the camera as a third eye, as a device to help others see what is inside my head, whether it be for commercial shooting or street photography,” says Marlo. “I am less of a participant and more of an observer.” Over the years, it has become the photographer’s intent to catch and portray the rhythm of life inside his images; that spiritual “OM” (chanting) of the universe that most people are not aware of in their every day going-ons.

As a product of the hip-hop generation, Marlo often refers to his works as having a quirky alternative vibe, mixed with some musical influence. In fact, it is that same appeal that has allowed him to attain such clients as India Arie, The Dungeon Family (Goody Mob, Out Cast, & The Witch Doctor), Van Hunt, Bow Wow and JD (So So Def), Sony Music and Sonday – all heavy hitters in the Neo-Soul and Hip-Hop industry. “I went to college with a lot of them. Most of them were my friends before they were clients,” Marlo recalls. “I remember when I used to hang out in basement parties – these real eclectic, basement settings around Atlanta, where everyone would get together and vibe - play music, share their work. I met India Arie at one of these gatherings. She had been playing the guitar for only six months at the time…”

Even after years of assisting some of the most skilled photographers in the area, it took Marlo several years to acquire the self-assurance needed to consider himself a professional photographer. Eventually, in 2000 (after training on paid and non-paying gigs from 1993 – 1999) he began to embrace the idea of being what others already claimed him to be. “I had to gain the confidence – for myself, in my skill, and for the level of clients of which I worked for. So I stayed an assistant until I was convinced myself that I had the skills it took to do it and be it.”

It’s for certain that there are two layers of uniqueness in Marlo’s more creative works. One gets a sense of lightness, of genuine love, when simply peering at the surface of his photographs. However, after taking a further glimpse into the heart of his pieces, a force of melancholy will ultimately emerge, ensnaring the observer into an alluring state of awareness and inspiration; almost hypnotically. If properly attuned with the universe, one may even get the sense that the individual behind the camera is one who is connected to a source beyond our own comprehension.

In hopes that the artist sitting before me would offer a hint of depth and substance to a question that I’d had floating inside my head since we first took our seats, I asked, “When you look at your work, what can you say about it that makes you an above average photographer? What makes you “not so average?” Bugged eyes and a dropped jaw led me to believe that my query had shocked Marlo, almost as if I had the audacity to try to infiltrate pieces of his mind that one outside of himself has yet to charter - that part of his brain and heart where confidence resides. Suddenly, as a smile begins tugging at the corners of his lips, he answers. “I really do feel that there is something metaphysical behind my images. I feel like it is the hidden messages about mankind that sets my work apart from other photographers, you can see the souls of the people I shoot.”

It is my turn to smile now, proud of my fellow artist, as my own mind absorbs his answer. He continues on to say: “Everybody walking the earth is walking around with only a piece of the ‘answer,’ but no one has the whole piece. We are, as individuals, at the core, very selfish and could care less about what happens to our fellow man…even though, principally and moralistically, we try to do the ‘right’ thing. I feel like this: the more we open our hearts and minds to the path of less resistance - the current of life, instead of always fighting ourselves, the universe will begin to conspire in our favor.”

Finally I ask him, “Who is Marlo Herring?” I already understand that there is a duality to his personality – a jovial side and a serious, analytical side. I wonder if he even realizes he is unlike most men I have met (or most women for that matter); a man who is in love with love…not just romantic love but a love for people, a love for life. He replies with the infectious grin. “I am silly, I love to joke. I live inside my own head. Marlo is a weird guy who is interested in what makes people tick…always searching, always looking for nostalgia, for answers. And…I am a hopeless romantic; I always have been.”

I smile again. That is good enough.

K. Banks

Visit: www.marloherring.com to view photography by Marlo Herring

September Artist Spotlight: Summer Jeter

Her music: timeless. Her artistry: significant. Her strength: spell binding. Her style: evolving. Her sacrifice: life changing. Nina Simone, deemed the high priestess of soul, has made an impact of many of her fans around the world. Not just through her music, but through her efforts to stand for righteousness. Throughout her career, Nina Simone constantly pressed the envelope to discover compelling styles and traverse various paths ways with which she could dispel the message residing in her heart. As with any typical artists, her messages evolved as time carried on. Eventually, the need to resist conforming to social beliefs of her era, to rise above the glitz and glam that came with being a huge star would resound loudly. Her life purpose became much stronger than her desire to simply entertain. Thus, a choice was made that would cost her significantly as her path unfolded toward the later stage of her career. Yet, still, it was her courage to follow her purpose that would inspire and change the lives of millions around the world.
Enter Summer Jeter, taking center stage in the world circa 1977, as a future designer who would later create works inspired by the life of Dr. Nina Simone. Born in Los Angeles, California, raised in Pittsburg, PA and Atlanta, GA, Summer knew at a very early age that she would somehow be used as a channel for inspiration through the art of creating fashion. It was watching her grandmother sew any and everything she could get her hands on that served as the motivation behind this aspiration. The then shy, quiet child would begin to find powerful voice is expressed through the stitching of thread at the age of 13, where she sewed her first piece of clothing: a plaid vest, inspired by the 80’s fashion trend.
Jumping 18 years into the future, I have a chance to sit down and speak with the now owner of Summer Sheree Apparel on a rainy afternoon, at a quaint little coffee shop in Midtown Atlanta (Georgia, US). Eager to learn more about the person behind such beautiful clothing observed on www.summersheree.com, I am a bit surprised by the quiet demeanor of my interviewee as I extend my hand for introduction. I believe my shock comes from having perused her catalog of clothing that is vibrant, sassy, bold, somewhat brave and audacious in their innovation. The person before me did not share the same characteristics. After exchanging pleasantries and delving into the topic of the arts community as a whole, I discover that despite her reserved nature, the designer is adamant in her commitment to building a company that designs tasteful, trendsetting clothing that are both classy and original. I am deeply moved, to say the least. I am equally impressed with the fact that she attained much of her skill while studying in both Argentina and Uruguay during her years in grad school. I am in awe as she shares with me how her time abroad helped her to gain a deeper appreciation for diversity and culture that seemed to be absent in the states. Ignorant of the language of a foreign land forced her to develop a new form of communication which helped her to embrace the need to look toward these new cultures for inspiration for her pieces.
Today, as she attempts to take her company to the next level of success, Summer doubles as a financial analyst, that allows her to travel to Brazil, London, Mexico, just to name a few. Rightfully so, there is a sense of pride as she demonstrates the versatility of being able to display her intelligence alongside the skill and passion it takes to thrive as a designer in such a complicated industry. As with most artists, she uses her salary as a means of manifesting her aspirations of becoming an acclaimed contributor to the fashion industry. After all, it doesn’t take a financial guru to comprehend how pricey it is to endeavor the path of being an independent designer, especially if you are serious about making a mark. Fashion design is not only a creative job, but also a business position as well. It also involves production and marketing my merchandise. I have to spend much of my time fabric sourcing, monitoring quality of production, creating look-books, and marketing to boutiques, all after I have sewn and developed the initial sample. This is not easy and can be quite expensive.
In the meantime, Summer finds herself frustrated by the lack of artist support that is widespread throughout confines of Atlanta. One of the advantages I had while living in New York was that I could always find pockets of aspiring artist that showed support for one another. I could always network, seek advice on how to market my designs, exchange contact information with other designers that helped me gain momentum and stay motivated to go after her dream if ever she got discouraged. That type of community support doesn’t seem to exist in Atlanta, but I really would like for it to develop.
It is as a result of this disturbing realization she welcomed a well deserved opportunity that presented itself several months ago when a man named Anthony Page introduced himself via email. Much to her surprise, this passionate artist, writer, entrepreneur and marketing guru extended his hand and invited her to join him on his effort to reignite the legacy of the late great Dr. Nina Simone. As Chairman of the Nina Simone Foundation, Anthony Page has dedicated the last two years gathering artists around the country who could help bring to life the artistry and heritage left behind by such a remarkable woman. Thus, he created the Nina Simone: No Illusions, No Escape traveling exhibition that is due to launch in Atlanta during Women’s History month in March of 2010. Summer Jeter was his first choice when he pondered the idea of having a fashion show.
For Summer, choosing to be a part of this project was a no-brainer. For one, she has made a commitment to participating in projects that contribute to a cause or purpose much bigger than skill or talent. Having been on design hiatus throughout the previous year, accepting the invitation to show case her works in the Nina Simone: No Illusions, No Escape exhibit also provided the very stimulation she needed to revitalize her passion. Thus, five of the fifteen pieces that will be featured in the fashion portion of the exhibition were influenced by the journey of which Nina Simone traversed from the early 50’s through the late 70’s.
Truthfully, Summer vaguely knew about the life of Nina Simone, however became knowledgeable of her music from the ˜93 film classic Point of No Return, where favorites such as Hate, Black is the Color of my True Love™s Hair, Feeling Good and Wild is the Wind were played throughout. Naturally, it was through research that Summer was able to observe how Nin’s fashion style changed and transformed with each passing decade of her career. Nina Simone’s fabulous style is just as inspiring as her music. She embraced her beautiful body and often wore dresses showing off her soft arms. The Retrospect collection takes elements of her style from the1950’s, 1960’s, and early 1970’s and presents these looks through five inspired dresses. Nina’s look evolved with her music from the 50’s nightclub singer to a 60’s sexy songbird, and then to a 70’s ethic goddess. Nina reminds us that nothing shows off the beauty of a woman like a dress, as she put a spell on all of us with her one of a kind style.
Intrigued by such an interesting approach of using these fashion elements to depict Nina’s life, I asked Summer to expound upon her discovery of mood changes that seemingly influenced and shaped her changing styles. Through research, I noticed that her life seemed very light, fun, happy and vibrant. Her style was classy and elegant during the 50’s. Throughout the 60’s, it appeared as though she explored her freedom; she was fun and carefree, more risqué. She wore shorter, shear or mesh dresses, pieced together with a kaleidoscope of colors. And during the 70’s her dress style portrayed a depressed, more serious Nina Simon, as she wore dresses, head wraps and dashikis that were very simple. As we continued to dialogue about Nina’s changing trends, Summer and I both concluded that it was quite possible that her stance during that Civil Rights Movement most likely contributed to the dejection that she presented through her attire. It had to have been stressful standing up for what you believe in, says the designer.
Interestingly enough, Summer opted not to implement any details rendering the Civil Rights Movement into her pieces, as she preferred to design pieces centered around Nina’s varying disposition and mindsets that evolved with each era (see images below). In piece one, 1950s 1, Nina was very glamorous in her early nightclub days and I celebrated this by designing a body shaping dress with a touch of bold red for a fun, dramatic effect. The second piece, 1950s 2, Nina’s glamour style slowly began to become more whimsical and fun which is shown in this ruffled dress. The third piece, 1960s 1, I noticed that as Nina’s music grew, she began to evolve into having a more flirtatious style and her dresses started to become shorter. As a result, I designed a body conscious dress highlighted with vibrant purple and a touch of sparkle in a triangle accent. 1960s 2, I observed how Nina’s flirtatious style became riskier but she seemed to really enjoy this, so I designed a dress with multiple colors and a patchwork pattern celebrating the sixties and the fun she had taking risks. And lastly, 1970s 1, Nina’s political change in her music began to be exhibited through her style. Her dresses became longer and she covered up her hair. Designing a simple long dress with seventies inspired fabrics seemed to capture this change.
Being that Nina Simone: No Illusions, No Escape will take place in the middle of Women’s History Month, I felt compelled to ask Summer what Nina Simone represents as a woman in her eyes. In response, she offered a simple but poignant word: strength. Her songs speak of risk, of being empowered; they encourage women to stand up for what they believe in. She sang about and spoke of things, issues and topics that most people didn’t have the courage to say. Again, being a part of such a dynamic project, which is propelled by the urgent need to re-introduce the bequest of Dr. Nina Simone and her contribution to the African American culture, is something Summer Jeter could not afford to pass her by. As a charter member of Zeta Phi Beta Kennesaw State University chapter, she has dedicated much of her life to being active in giving back to the community. This venture falls right in line with her own mission in life to educate, inspire and collaborate with other likeminded artists. A movement such as this lends to her contemplation of the educational opportunity for youth that this project presents. I loved learning when I was young. In fact, I used to play the flute. Back when I was in school, we had art or even home economics where I could learn to sew. It isn’t like that anymore. I am a very disappointed by the state of our youth today. Such strong words were hard to ignore. Digging deeper, I asked Summer to explain. She continues, Well, there is a dual meaning to that statement. One, I am a little disappointed with the education systems and their refusal to allocate funds properly so that youth will be enabled to understand the dynamics of being creative. There is no sense of appreciation for art or even the history of it. I am disappointed in the youth because even when opportunities of learning about art are presented to them via community exhibits, plays or events, they seem more interested in things that are less significant. This generation is so immediate with all the technology. There is no understanding of patience. This probably would not be the case if they understood how things are created such as art or music.
As I begin to wrap up the interview, I notice a fervent, passionate energy about the artist that was not apparent when I first walked into the coffee shop. I smile at the thought of being able to capture the sparkling jewel inside my fellow artist. One thing I note as I walk away from such a positive, intelligent, and loving spirit is that this is an individual who humbly embraces the talent with which she was gifted. Though we are very different in our disposition at least on that day - I smile at the idea that I have encountered a like-minded female, artists; a being that sews into every pattern, every fabric and every lining of her pieces a stitch of hope that art will never die. This is a trait that I silently share with her, even if for a moment in time. I am fortunate. I am grateful. Needless to say, I remain optimistic that others will gravitate toward this notion as she shares her remarkable designs with enthusiasts around the globe. Before making my exit, I lift my head to the heavens and pray that Nina Simone is smiling down on Summer as she endeavors to embrace and share with the world her style, artistry, message, sacrifice and legacy.

September Spotlight Artist: Ruth Palmer Part 2

Hello readers!! I am proud to announce that Ruth Palmer had a chance to sit down and participate in the Q&A session I spoke of in part one of this feature.
ENJOY!!!!

PLP Q & A session with Ruth Palmer:

PLP: What is your full name or artist’s alias?
RP: Just Ruth Palmer. My parents didn't even give me a middle name. LOL!


PLP: Where were you born and raised?
RP:I was born and raised in Edinburgh, Scotland.

PLP: At what age did you realize you had creative passion/talent?
RP:It came out musically when I was a child. I sang in the choir and was able to play instruments by ear. I always doodled...getting in trouble with my mother for writing and drawing pictures on all the books in our home.

PLP: Who were your influences coming up as a child?
RP:There was a boy in my class in primary school who had an amazing artistic talent that was years ahead of his physical age. I was mesmerized by his work. He was so good that they would let him paint murals on the school hallways. I often wonder what he is doing now and where he is today.

PLP: Who are some of your creative influences now?
RP: It's mostly spiritual. My belief in Jesus Christ is my main inspiration.There is so much artistic talent in the world today though and I'd have to say that all art and just the pure diversity of it inspires me. I do have a few favourite artists. Edouard Manet and Wassily Kandinsky (I know, two completely different ends of the spectrum) but I love them both. Manet for the richness of his work and Kandinsky for his brilliant sense of play and balance.

PLP:As an artist, what legacy would you like to leave in the history books?
RP: Well, so many traditional artists have written to me to tell me that my abstract work has completely changed their opinion about abstract. I've been told that I've inspired realism artists to try abstract for the first time and it is such an honor to have that kind of influence on other artists. I'm also told that my artwork speaks to people, particularly my Christian artwork...it always seems to speak to the person, exactly what God wants to say to them at the time. I guess I'd like to be known as "the artist who made true converts out of other artists". If I have planted any seeds of faith through my work at all, then my purpose here has been served.

PLP:What is your perception of today’s Arts Community?
Do you feel there is a great deal of support FROM the community? WITHIN the
community? What would you change or like to see evolve in the industry as a
whole?
RP: Yes, I think there is a lot of support, however, I also think that ithe networking and socializing takes valuable time away from the creation process. It's excellent that we can promote and market ourselves with the technology that we have now but at the same time, you can't do all things at the same time and do them well. My advice is to try to prioritize and concentrate on what is important. I'd actually like to see the artist make a well-deserved living from their talent as much as others do from our talents. Publishers, framers, designers, shipping companies...I'd like to see higher commissions for artists and some POD companies are now going in that direction. I think it encourages the artist to create better work for the marketplace.

PLP: Do you feel that digital media is changing the face of the Art Industry? If so, how and how has it hindered or aided your evolution as an artist?
RP: It has its pros and cons. I love digital art and I do very well with it as I know many others do too. At the same time though, it opens the artworld up to the mentality that "everybody" is an artist and that simply isn't true. We have to remember that digital art is done mostly with a computer program. There are many highly skilled and talented digital artists (don't get me wrong) but the market is also over-saturated with a lot of "junk".

PLP: Why are you an artist? What does being an artist mean to you? How does art serve you…is it your voice…your escape? Explain.
RP: Being an artist is not what I do, it's who I am. It was given to me late in life and I consider it a true gift. It is my responsibility to share and to use that gift for the common good. My art is my passion. It's something that I am driven to do. A week without it is like withdrawal from an addiction. It's what I know God wants me to do and He has made that clear to me on many occasions.

PLP: Could you talk about your latest series of paintings and what you are trying to achieve with them? How have you handled the business side of being an artist? Describe some of your endeavors.
RP:I was trained in business so the business side of art hasn't been too difficult for me. I'm also tenacious by nature so I never give up when rejected. I follow up with publishers and customers regularly and try to keep my work fresh and current. God does the rest!

PLP: What inspires you to paint and how do you keep motivated when things get tough in the studio? Describe the influences or topics your works are centered around
RP: Stand back and take a break and refresh spiritually.

PLP: What formal art education have you had, and what role did it play in your artistic development?
RP: Absolutely none. When I started to paint, I did pick up a lot of art books at the library, however, it's the strangest thing...most of the techniques that I was reading about - I had already done them instinctively so I stopped doing that and just continued to do my own thing.

PLP: What is your favorite medium?
RP: Acrylic.

PLP: At what point did you decide to become a professional artist?
RP: In 2001.

PLP: Are you involved in any recent shows and exhibits? Where?
RP: I have an online solo exhibition coming up on September 28th on Red Bubble. I recently had my work installed in a hotel in Pennsylvania and last December my artwork was used to decorate the reception deck of a British cruise ship. One of my paintings was just published in the "Spirituality of Sex" by Woodlake publishing and another of my images "Comfort Zone" will be used on the cover of an AOTA Press publication with a run of 15,000 copies in March 2010.

PLP: Was it difficult for you to develop your own style? Have you struggled with that?
Rp: At times. Outside influences tend to send us in all different directions. It's hard not to take in what you see and it does mess your head up a little. I went through a period of that and after experimeting with many different things finally decided to be true to myself. Noone can do your own style like you can. It comes out naturally and flows freely. I encourage every artist not to be overly influenced by what others do. You are who you are.

Thanks so much. Hopefully you read part one of this blog.

September Artist Spotlight

September Artist Spotlight: Ruth Palmer

I had the pleasure of interviewing Canadian artists, Ruth Palmer, for an online publication PLP created a couple of years ago. Aside from her creative talent, Ruth is one of the kindest, most open, willing individual out of the hundreds of artists I have encountered throughout my ten years in the industry. To say the least, I was completely thrilled when she agreed to a second go-round of participating in this amended spotlight project intended to shed light on creative and talented people across the world. I am even more pleased with the opportunity to share her gift with my readers once again. To be honest, Ruth has such a plethora of illustrations, paintings, digital art and photography in her arsenal of creativity that it was extremely difficult for me to choose the three that are being spotlighted in this review.

Also, so that the readers are not feeling short changed with out being able to read the question and answer session that I usually conduct prior to review, understand that this Ruth Palmer is an ambitious artist who travels between the US and Canada and other countries abroad. Needless to say, her busy schedule should serve as an inspiration to many aspiring artists around the world. However, you can read a short bio about her below.

Ruth Palmer at a Glance:
Ruth Palmer is a versatile contemporary artist working and experimenting with various mediums. Her most widely used medium is acrylic, however, digital & computer art is a close second. Oil and occasionally photography also make the list. Her painting covers many different art styles such as abstract, contemporary and traditional still life and landscapes. In My Own Words: I follow nobody's rules but my own. I like it this way. This is the process that works for me. I know that being self-taught gives me an advantage. I approach my work with an almost child-like naivety and do not have outside influences to interfere. I am continuously experimenting with subjects, textures and colors. Preconceived notions are nothing short of restricting. My art has to be spontaneous and unplanned. Even with commissions, I negotiate to maintain a certain amount of freedom with the subject. Just the process of creation is what drives the passion to paint. I paint because I love it. It is truly exciting, not knowing what you are going to create from nothing. You have to let it flow directly from your soul and it can't be derived or planned. A true artist simply creates art without explanation. Faith in God and a passion to use the gift He has given me is all the inspiration I need to create something special. My subjects are extremely varied. The particular subject has no specific meaning to me, it is the “feeling” which allows that subject to manifest itself creating it is own personality and mood. Every creation is like opening a surprise package. It is my goal simply to touch people in some way through my art. Art is what it is. You either like it or you don't.

PLP Review:
A Place to Grow
This is a dark and ominous piece, filled with shadows and dark colors, yet I still am met with a sense of hope each time I turn my eyes unto it. I chose this piece because it depicts a place – literally and metaphorically - where love and light seem non-existent; an environment where fear lurks eagerly in an attempt to keep us stagnant; a point in evolution that most of us despise for it is the place where change is birthed. If you have lived at all, it is quite certain that you have encountered such valleys along your path to becoming. Despite its diminishing, discolored petals falling from its center, I am in awe of the perseverance the central object resonates. Through a more in depth observation, I notice how Ruth has chosen the color white to serve as the stems for the flower. I believe this is the very detail that indicates the optimism and resilience of the Spirit. It’s almost as if she is saying there is nothing that will keep her from prospering, thriving or achieving that which she was destined to become. I am not sure if this is intentional, but the mix of greens, blues and blacks at the base of the piece present the illusion of murky water. Interestingly enough, a surface for reflection and contemplation is not provided, still the flower reaches upward, spent and exhausted with its inharmonious surroundings.

It’s my own hopefulness that moves me to observe the optimistic message behind this piece. I walk away pondering the notion that even in the darkest of unforgiving valleys, if you are ever to make it to the land of prosperity, you must remain determined to find willpower to grow. Hold on to the beauty that is YOU. Follow the light within. Otherwise, there is a chance you may find yourself traversing down the same dark path - again.



Runner Ups:
About Face & Back in the Saddle (
These next two pieces arouse the same sentiments and sensations for me as I observe them, however, they inspire me to take on completely different perspectives of life and how it unfolds. I would imagine this is because the two images are similar in their display of movement and vibrant color schemes that seem displaced and intentional at the same time. On the other hand, the Ruth has chosen different forms of execution in the delivery of thought. In About Face, the artist has chosen broad, wide strokes that depict the evolution of life and the changes that may occur throughout our journey. Upon further observation, I am also inclined to believe that there is a person moving swiftly across the page and onto some unknown destination that we as viewers can only imagine. The beautiful trail of red, blue, green and gold symbolize that this person has had quite a colorful journey, on that has been both inspirational and haunting; a path filled with reminiscences that can never be forgotten. Yet the individual seems adamant about moving forward to create a new set of cherished memories.

The divergence presented in Back in the Saddle is the scattered placement of colors. Though vivacious and alluring, the color assignment seems a lot less strategic and offers the illusion of disarray; its rigidity provokes contemplation of confusion. Amidst the confusion is a tiny ray of hope (here’s my optimism again). The small, vibrant blue triangle near the center of the pieces is seemingly on its ascent out of turmoil. I suppose this is what the artist means by Back in the Saddle.


For more information about Ruth Palmer and her work, you can click on any number of the links listed below.

http://www.rpalmer.myexpose.com
http://zazzle.com/HighCal*
http://www.cafepress.com/ruthpalmer
http://www.redbubble.com/people/ruthpalm...
http://www.greetingcarduniverse.com/Abst...
http://www.squidoo.com/jesusmademedoit
http://www.squidoo.com/stayfocusedonjesu...

You may have different opinions about these pieces. Please share your thoughts and let us know how this review has inspired you. By no means am I serving as the voice for the artists whose works are chosen for review. I am merely presenting a perspective that can ultimately arouse discussion between the artist, me and the readers. Feel free to post your comments, regardless of shared or opposed opinions. I recognize that art is relative to the eye.


Also, if you are an artist, writer, photographer, musician or motivational speaker who would like their works reviewed, please send us an email at reviews@plpmediagroup.com.

Peace and abundance!!!

Introduction to PLP Art-ist [ahr-tist] (a series starting in September)

Art-ist [ahr-tist] a person who works in one of the performing arts, as an actor, musician, or singer; a public performer: a person who produces works in any of the arts that are primarily subject to aesthetic criteria.

As an artist since the early ages of my childhood, I can remember always having a passion for how lines come together to create pictures, color and images; the whole act of creation seemed fascinating. For years, even through high school, I seldom came into contact with other people who liked to draw or express themselves in a creative fashion. True there were those who liked music, and loved to dance and could sketch a cool image on the front of their notebooks; cool kids who had flare and could assemble a fashion ensemble with the ease of a flowing breeze; not to mention the hip cats that could flow off the top of their dome the moment someone started banging on their desk to the latest Run DMC or Whodini beats.

But passion…I couldn’t have even articulated the fact that I had passion at that age, let alone identify someone else with the same infatuation with creativity as I did. As the years have progressed, however, I have been in search of a collective of likeminded souls and individuals with similar aspirations yet have found it rather difficult to meet the likes of an Earnie Barnes (rest in peace) of my generation, or even Charles Bibbs and Nathaniel Bustion – someone of this artistic caliber who was my age. I have always been in wonder over the concept of meeting someone who can inspire me, the same way that my artwork seems to inspire those around me. Are there such organizations that I can join that will put me in the presence of such remarkable people who have the greatest potential for paving pathways towards success; that could teach me the secrets to attaining notoriety or getting my works displayed in some of the finest exhibits around the world? Maybe there are; and maybe I have not asserted the right amount of energy into discovering the nooks and crannies of the creative world…or at least not enough sufficiently support myself as I attempt to stray away from the rickety and rusted rungs of corporate ladders that contribute very little towards the evolution of my spirit or my calling.

In my days as Editor-and Chief for an online magazine (PLP Media Group) created to expose the talents of artists of all genres around the globe, I found myself swimming aimlessly in a pool of artists, writers, musicians, actors and poets – all in search of their five minutes of fame. Eager they were to see their names within the context of a media outlet that provided them the much needed exposure that otherwise seemed unfathomable on their own. But seldom did I come across a creative head that had the same excitement for offering information that would help another artist reach success. OR, when it came to reaching out to artists who had “made it,” let’s just say that my calls or emails went unanswered. Apparently, most artists posses the proclivity to be misunderstood, sometimes appearing outlandish and "on our own" planet when it comes to relating with other people who are NOT artists. Even when the magnified mirror is being pointed at me by my peers, I have begun to hear the same statements of reclusion about myself (yes I am putting myself out there). Still, the one thing that disturbs me most as an artists is that - especially here in Atlanta, the Black Mecca for artists (African American Artists to be exact) - very few of artists - which I refuse to be included - embrace the possibility of collaboration and/or helping another artist out (contacts, connections, marketing, opportunities of exposure, etc.) for fear that someone will rain on their own parade or bring darkness to their unique light. Unfortunately, it too has taken me years to discover that what is meant for me already exists. And no one has the potential to dim my light but ME.

Skip to two years later…

I have recently returned to school to get a degree in journalism and have begun contemplating ways with which I can be of service to the art community, using the experience (good and bad), knowledge and wisdom I have been blessed to attain throughout my journey as an artist and writer. Combined with my aspiration to share, I feel compelled to create something that will be beneficial for myself, as well as others; something where I can put all my passions – spirituality, art and writing – together on one page and deliver a smorgasbord of inspirational and empowering visual and literary content. I live for the soul. I love, Love, LOOOOVE music, art, film, photography, dance, and books. This I consider food for my soul. And I love empowering people. Aside from the aforementioned, it is also my aspiration to utilize this therapeutic outlet (as my journalism professor likes to refer to blogging) is:

• To provide a platform where I can discuss topics of interest such as societal views, politics, sexuality, spirituality, economic empowerment, and survival as it pertains to the arts and the artists. I would like to converse with artists, writers, illustrators, photographers, poets, actors and musicians of all ethnicities in order to offer views and opinions that are multidimensional in regards to culture and gender perspectives. In my entries, as well as, in conversation on the discussion boards artists can offer advice, promote their works, offer ways to help other artists promote their works and share any inspirational affirmation that has helped them become successful.

• To provide inspirational content so that creatives and our enthusiasts will begin to lean toward the support of struggling artists. It is of the utmost importance that I fulfill my greatest calling to encourage, empower and uplift.
  

• To maintain the mission of my company in our effort to connect leaders of non-profit organizations that empower and uplift the community who would like to utilize creative projects as a form of raising funds for their organizations
  

As a result of what appears to be an absence of “community and togetherness” in the creative world, I have decided to do an experiment this year. To do this, I will do my best to reach out to ONE artist a day (at least) and ask them to engage in an ongoing dialog about whether are not artists are really as strange and reclusive as society makes them out to be. I’d like their – as well as yours – opinion about whether there is validity to the stereotypes of an artist. I would also like each artist to share some of their experiences – struggles and successes – they have endured. This project will also kill two birds with one stone as it will also help me network as well as expose the talents of artists, besides myself, from all over the world in hopes of inspiring artists to come together and embrace one another’s endeavors.

THANKS SO MUCH FOR STOPPING BY…I so look forward to conversing with you.