Her music: timeless. Her artistry: significant. Her strength: spell binding. Her style: evolving. Her sacrifice: life changing. Nina Simone, deemed the high priestess of soul, has made an impact of many of her fans around the world. Not just through her music, but through her efforts to stand for righteousness. Throughout her career, Nina Simone constantly pressed the envelope to discover compelling styles and traverse various paths ways with which she could dispel the message residing in her heart. As with any typical artists, her messages evolved as time carried on. Eventually, the need to resist conforming to social beliefs of her era, to rise above the glitz and glam that came with being a huge star would resound loudly. Her life purpose became much stronger than her desire to simply entertain. Thus, a choice was made that would cost her significantly as her path unfolded toward the later stage of her career. Yet, still, it was her courage to follow her purpose that would inspire and change the lives of millions around the world.
Enter Summer Jeter, taking center stage in the world circa 1977, as a future designer who would later create works inspired by the life of Dr. Nina Simone. Born in Los Angeles, California, raised in Pittsburg, PA and Atlanta, GA, Summer knew at a very early age that she would somehow be used as a channel for inspiration through the art of creating fashion. It was watching her grandmother sew any and everything she could get her hands on that served as the motivation behind this aspiration. The then shy, quiet child would begin to find powerful voice is expressed through the stitching of thread at the age of 13, where she sewed her first piece of clothing: a plaid vest, inspired by the 80’s fashion trend.
Jumping 18 years into the future, I have a chance to sit down and speak with the now owner of Summer Sheree Apparel on a rainy afternoon, at a quaint little coffee shop in Midtown Atlanta (Georgia, US). Eager to learn more about the person behind such beautiful clothing observed on www.summersheree.com, I am a bit surprised by the quiet demeanor of my interviewee as I extend my hand for introduction. I believe my shock comes from having perused her catalog of clothing that is vibrant, sassy, bold, somewhat brave and audacious in their innovation. The person before me did not share the same characteristics. After exchanging pleasantries and delving into the topic of the arts community as a whole, I discover that despite her reserved nature, the designer is adamant in her commitment to building a company that designs tasteful, trendsetting clothing that are both classy and original. I am deeply moved, to say the least. I am equally impressed with the fact that she attained much of her skill while studying in both Argentina and Uruguay during her years in grad school. I am in awe as she shares with me how her time abroad helped her to gain a deeper appreciation for diversity and culture that seemed to be absent in the states. Ignorant of the language of a foreign land forced her to develop a new form of communication which helped her to embrace the need to look toward these new cultures for inspiration for her pieces.
Today, as she attempts to take her company to the next level of success, Summer doubles as a financial analyst, that allows her to travel to Brazil, London, Mexico, just to name a few. Rightfully so, there is a sense of pride as she demonstrates the versatility of being able to display her intelligence alongside the skill and passion it takes to thrive as a designer in such a complicated industry. As with most artists, she uses her salary as a means of manifesting her aspirations of becoming an acclaimed contributor to the fashion industry. After all, it doesn’t take a financial guru to comprehend how pricey it is to endeavor the path of being an independent designer, especially if you are serious about making a mark. Fashion design is not only a creative job, but also a business position as well. It also involves production and marketing my merchandise. I have to spend much of my time fabric sourcing, monitoring quality of production, creating look-books, and marketing to boutiques, all after I have sewn and developed the initial sample. This is not easy and can be quite expensive.
In the meantime, Summer finds herself frustrated by the lack of artist support that is widespread throughout confines of Atlanta. One of the advantages I had while living in New York was that I could always find pockets of aspiring artist that showed support for one another. I could always network, seek advice on how to market my designs, exchange contact information with other designers that helped me gain momentum and stay motivated to go after her dream if ever she got discouraged. That type of community support doesn’t seem to exist in Atlanta, but I really would like for it to develop.
It is as a result of this disturbing realization she welcomed a well deserved opportunity that presented itself several months ago when a man named Anthony Page introduced himself via email. Much to her surprise, this passionate artist, writer, entrepreneur and marketing guru extended his hand and invited her to join him on his effort to reignite the legacy of the late great Dr. Nina Simone. As Chairman of the Nina Simone Foundation, Anthony Page has dedicated the last two years gathering artists around the country who could help bring to life the artistry and heritage left behind by such a remarkable woman. Thus, he created the Nina Simone: No Illusions, No Escape traveling exhibition that is due to launch in Atlanta during Women’s History month in March of 2010. Summer Jeter was his first choice when he pondered the idea of having a fashion show.
For Summer, choosing to be a part of this project was a no-brainer. For one, she has made a commitment to participating in projects that contribute to a cause or purpose much bigger than skill or talent. Having been on design hiatus throughout the previous year, accepting the invitation to show case her works in the Nina Simone: No Illusions, No Escape exhibit also provided the very stimulation she needed to revitalize her passion. Thus, five of the fifteen pieces that will be featured in the fashion portion of the exhibition were influenced by the journey of which Nina Simone traversed from the early 50’s through the late 70’s.
Truthfully, Summer vaguely knew about the life of Nina Simone, however became knowledgeable of her music from the ˜93 film classic Point of No Return, where favorites such as Hate, Black is the Color of my True Love™s Hair, Feeling Good and Wild is the Wind were played throughout. Naturally, it was through research that Summer was able to observe how Nin’s fashion style changed and transformed with each passing decade of her career. Nina Simone’s fabulous style is just as inspiring as her music. She embraced her beautiful body and often wore dresses showing off her soft arms. The Retrospect collection takes elements of her style from the1950’s, 1960’s, and early 1970’s and presents these looks through five inspired dresses. Nina’s look evolved with her music from the 50’s nightclub singer to a 60’s sexy songbird, and then to a 70’s ethic goddess. Nina reminds us that nothing shows off the beauty of a woman like a dress, as she put a spell on all of us with her one of a kind style.
Intrigued by such an interesting approach of using these fashion elements to depict Nina’s life, I asked Summer to expound upon her discovery of mood changes that seemingly influenced and shaped her changing styles. Through research, I noticed that her life seemed very light, fun, happy and vibrant. Her style was classy and elegant during the 50’s. Throughout the 60’s, it appeared as though she explored her freedom; she was fun and carefree, more risqué. She wore shorter, shear or mesh dresses, pieced together with a kaleidoscope of colors. And during the 70’s her dress style portrayed a depressed, more serious Nina Simon, as she wore dresses, head wraps and dashikis that were very simple. As we continued to dialogue about Nina’s changing trends, Summer and I both concluded that it was quite possible that her stance during that Civil Rights Movement most likely contributed to the dejection that she presented through her attire. It had to have been stressful standing up for what you believe in, says the designer.
Interestingly enough, Summer opted not to implement any details rendering the Civil Rights Movement into her pieces, as she preferred to design pieces centered around Nina’s varying disposition and mindsets that evolved with each era (see images below). In piece one, 1950s 1, Nina was very glamorous in her early nightclub days and I celebrated this by designing a body shaping dress with a touch of bold red for a fun, dramatic effect. The second piece, 1950s 2, Nina’s glamour style slowly began to become more whimsical and fun which is shown in this ruffled dress. The third piece, 1960s 1, I noticed that as Nina’s music grew, she began to evolve into having a more flirtatious style and her dresses started to become shorter. As a result, I designed a body conscious dress highlighted with vibrant purple and a touch of sparkle in a triangle accent. 1960s 2, I observed how Nina’s flirtatious style became riskier but she seemed to really enjoy this, so I designed a dress with multiple colors and a patchwork pattern celebrating the sixties and the fun she had taking risks. And lastly, 1970s 1, Nina’s political change in her music began to be exhibited through her style. Her dresses became longer and she covered up her hair. Designing a simple long dress with seventies inspired fabrics seemed to capture this change.
Being that Nina Simone: No Illusions, No Escape will take place in the middle of Women’s History Month, I felt compelled to ask Summer what Nina Simone represents as a woman in her eyes. In response, she offered a simple but poignant word: strength. Her songs speak of risk, of being empowered; they encourage women to stand up for what they believe in. She sang about and spoke of things, issues and topics that most people didn’t have the courage to say. Again, being a part of such a dynamic project, which is propelled by the urgent need to re-introduce the bequest of Dr. Nina Simone and her contribution to the African American culture, is something Summer Jeter could not afford to pass her by. As a charter member of Zeta Phi Beta Kennesaw State University chapter, she has dedicated much of her life to being active in giving back to the community. This venture falls right in line with her own mission in life to educate, inspire and collaborate with other likeminded artists. A movement such as this lends to her contemplation of the educational opportunity for youth that this project presents. I loved learning when I was young. In fact, I used to play the flute. Back when I was in school, we had art or even home economics where I could learn to sew. It isn’t like that anymore. I am a very disappointed by the state of our youth today. Such strong words were hard to ignore. Digging deeper, I asked Summer to explain. She continues, Well, there is a dual meaning to that statement. One, I am a little disappointed with the education systems and their refusal to allocate funds properly so that youth will be enabled to understand the dynamics of being creative. There is no sense of appreciation for art or even the history of it. I am disappointed in the youth because even when opportunities of learning about art are presented to them via community exhibits, plays or events, they seem more interested in things that are less significant. This generation is so immediate with all the technology. There is no understanding of patience. This probably would not be the case if they understood how things are created such as art or music.
As I begin to wrap up the interview, I notice a fervent, passionate energy about the artist that was not apparent when I first walked into the coffee shop. I smile at the thought of being able to capture the sparkling jewel inside my fellow artist. One thing I note as I walk away from such a positive, intelligent, and loving spirit is that this is an individual who humbly embraces the talent with which she was gifted. Though we are very different in our disposition at least on that day - I smile at the idea that I have encountered a like-minded female, artists; a being that sews into every pattern, every fabric and every lining of her pieces a stitch of hope that art will never die. This is a trait that I silently share with her, even if for a moment in time. I am fortunate. I am grateful. Needless to say, I remain optimistic that others will gravitate toward this notion as she shares her remarkable designs with enthusiasts around the globe. Before making my exit, I lift my head to the heavens and pray that Nina Simone is smiling down on Summer as she endeavors to embrace and share with the world her style, artistry, message, sacrifice and legacy.
Enter Summer Jeter, taking center stage in the world circa 1977, as a future designer who would later create works inspired by the life of Dr. Nina Simone. Born in Los Angeles, California, raised in Pittsburg, PA and Atlanta, GA, Summer knew at a very early age that she would somehow be used as a channel for inspiration through the art of creating fashion. It was watching her grandmother sew any and everything she could get her hands on that served as the motivation behind this aspiration. The then shy, quiet child would begin to find powerful voice is expressed through the stitching of thread at the age of 13, where she sewed her first piece of clothing: a plaid vest, inspired by the 80’s fashion trend.
Jumping 18 years into the future, I have a chance to sit down and speak with the now owner of Summer Sheree Apparel on a rainy afternoon, at a quaint little coffee shop in Midtown Atlanta (Georgia, US). Eager to learn more about the person behind such beautiful clothing observed on www.summersheree.com, I am a bit surprised by the quiet demeanor of my interviewee as I extend my hand for introduction. I believe my shock comes from having perused her catalog of clothing that is vibrant, sassy, bold, somewhat brave and audacious in their innovation. The person before me did not share the same characteristics. After exchanging pleasantries and delving into the topic of the arts community as a whole, I discover that despite her reserved nature, the designer is adamant in her commitment to building a company that designs tasteful, trendsetting clothing that are both classy and original. I am deeply moved, to say the least. I am equally impressed with the fact that she attained much of her skill while studying in both Argentina and Uruguay during her years in grad school. I am in awe as she shares with me how her time abroad helped her to gain a deeper appreciation for diversity and culture that seemed to be absent in the states. Ignorant of the language of a foreign land forced her to develop a new form of communication which helped her to embrace the need to look toward these new cultures for inspiration for her pieces.
Today, as she attempts to take her company to the next level of success, Summer doubles as a financial analyst, that allows her to travel to Brazil, London, Mexico, just to name a few. Rightfully so, there is a sense of pride as she demonstrates the versatility of being able to display her intelligence alongside the skill and passion it takes to thrive as a designer in such a complicated industry. As with most artists, she uses her salary as a means of manifesting her aspirations of becoming an acclaimed contributor to the fashion industry. After all, it doesn’t take a financial guru to comprehend how pricey it is to endeavor the path of being an independent designer, especially if you are serious about making a mark. Fashion design is not only a creative job, but also a business position as well. It also involves production and marketing my merchandise. I have to spend much of my time fabric sourcing, monitoring quality of production, creating look-books, and marketing to boutiques, all after I have sewn and developed the initial sample. This is not easy and can be quite expensive.
In the meantime, Summer finds herself frustrated by the lack of artist support that is widespread throughout confines of Atlanta. One of the advantages I had while living in New York was that I could always find pockets of aspiring artist that showed support for one another. I could always network, seek advice on how to market my designs, exchange contact information with other designers that helped me gain momentum and stay motivated to go after her dream if ever she got discouraged. That type of community support doesn’t seem to exist in Atlanta, but I really would like for it to develop.
It is as a result of this disturbing realization she welcomed a well deserved opportunity that presented itself several months ago when a man named Anthony Page introduced himself via email. Much to her surprise, this passionate artist, writer, entrepreneur and marketing guru extended his hand and invited her to join him on his effort to reignite the legacy of the late great Dr. Nina Simone. As Chairman of the Nina Simone Foundation, Anthony Page has dedicated the last two years gathering artists around the country who could help bring to life the artistry and heritage left behind by such a remarkable woman. Thus, he created the Nina Simone: No Illusions, No Escape traveling exhibition that is due to launch in Atlanta during Women’s History month in March of 2010. Summer Jeter was his first choice when he pondered the idea of having a fashion show.
For Summer, choosing to be a part of this project was a no-brainer. For one, she has made a commitment to participating in projects that contribute to a cause or purpose much bigger than skill or talent. Having been on design hiatus throughout the previous year, accepting the invitation to show case her works in the Nina Simone: No Illusions, No Escape exhibit also provided the very stimulation she needed to revitalize her passion. Thus, five of the fifteen pieces that will be featured in the fashion portion of the exhibition were influenced by the journey of which Nina Simone traversed from the early 50’s through the late 70’s.
Truthfully, Summer vaguely knew about the life of Nina Simone, however became knowledgeable of her music from the ˜93 film classic Point of No Return, where favorites such as Hate, Black is the Color of my True Love™s Hair, Feeling Good and Wild is the Wind were played throughout. Naturally, it was through research that Summer was able to observe how Nin’s fashion style changed and transformed with each passing decade of her career. Nina Simone’s fabulous style is just as inspiring as her music. She embraced her beautiful body and often wore dresses showing off her soft arms. The Retrospect collection takes elements of her style from the1950’s, 1960’s, and early 1970’s and presents these looks through five inspired dresses. Nina’s look evolved with her music from the 50’s nightclub singer to a 60’s sexy songbird, and then to a 70’s ethic goddess. Nina reminds us that nothing shows off the beauty of a woman like a dress, as she put a spell on all of us with her one of a kind style.
Intrigued by such an interesting approach of using these fashion elements to depict Nina’s life, I asked Summer to expound upon her discovery of mood changes that seemingly influenced and shaped her changing styles. Through research, I noticed that her life seemed very light, fun, happy and vibrant. Her style was classy and elegant during the 50’s. Throughout the 60’s, it appeared as though she explored her freedom; she was fun and carefree, more risqué. She wore shorter, shear or mesh dresses, pieced together with a kaleidoscope of colors. And during the 70’s her dress style portrayed a depressed, more serious Nina Simon, as she wore dresses, head wraps and dashikis that were very simple. As we continued to dialogue about Nina’s changing trends, Summer and I both concluded that it was quite possible that her stance during that Civil Rights Movement most likely contributed to the dejection that she presented through her attire. It had to have been stressful standing up for what you believe in, says the designer.
Interestingly enough, Summer opted not to implement any details rendering the Civil Rights Movement into her pieces, as she preferred to design pieces centered around Nina’s varying disposition and mindsets that evolved with each era (see images below). In piece one, 1950s 1, Nina was very glamorous in her early nightclub days and I celebrated this by designing a body shaping dress with a touch of bold red for a fun, dramatic effect. The second piece, 1950s 2, Nina’s glamour style slowly began to become more whimsical and fun which is shown in this ruffled dress. The third piece, 1960s 1, I noticed that as Nina’s music grew, she began to evolve into having a more flirtatious style and her dresses started to become shorter. As a result, I designed a body conscious dress highlighted with vibrant purple and a touch of sparkle in a triangle accent. 1960s 2, I observed how Nina’s flirtatious style became riskier but she seemed to really enjoy this, so I designed a dress with multiple colors and a patchwork pattern celebrating the sixties and the fun she had taking risks. And lastly, 1970s 1, Nina’s political change in her music began to be exhibited through her style. Her dresses became longer and she covered up her hair. Designing a simple long dress with seventies inspired fabrics seemed to capture this change.
Being that Nina Simone: No Illusions, No Escape will take place in the middle of Women’s History Month, I felt compelled to ask Summer what Nina Simone represents as a woman in her eyes. In response, she offered a simple but poignant word: strength. Her songs speak of risk, of being empowered; they encourage women to stand up for what they believe in. She sang about and spoke of things, issues and topics that most people didn’t have the courage to say. Again, being a part of such a dynamic project, which is propelled by the urgent need to re-introduce the bequest of Dr. Nina Simone and her contribution to the African American culture, is something Summer Jeter could not afford to pass her by. As a charter member of Zeta Phi Beta Kennesaw State University chapter, she has dedicated much of her life to being active in giving back to the community. This venture falls right in line with her own mission in life to educate, inspire and collaborate with other likeminded artists. A movement such as this lends to her contemplation of the educational opportunity for youth that this project presents. I loved learning when I was young. In fact, I used to play the flute. Back when I was in school, we had art or even home economics where I could learn to sew. It isn’t like that anymore. I am a very disappointed by the state of our youth today. Such strong words were hard to ignore. Digging deeper, I asked Summer to explain. She continues, Well, there is a dual meaning to that statement. One, I am a little disappointed with the education systems and their refusal to allocate funds properly so that youth will be enabled to understand the dynamics of being creative. There is no sense of appreciation for art or even the history of it. I am disappointed in the youth because even when opportunities of learning about art are presented to them via community exhibits, plays or events, they seem more interested in things that are less significant. This generation is so immediate with all the technology. There is no understanding of patience. This probably would not be the case if they understood how things are created such as art or music.
As I begin to wrap up the interview, I notice a fervent, passionate energy about the artist that was not apparent when I first walked into the coffee shop. I smile at the thought of being able to capture the sparkling jewel inside my fellow artist. One thing I note as I walk away from such a positive, intelligent, and loving spirit is that this is an individual who humbly embraces the talent with which she was gifted. Though we are very different in our disposition at least on that day - I smile at the idea that I have encountered a like-minded female, artists; a being that sews into every pattern, every fabric and every lining of her pieces a stitch of hope that art will never die. This is a trait that I silently share with her, even if for a moment in time. I am fortunate. I am grateful. Needless to say, I remain optimistic that others will gravitate toward this notion as she shares her remarkable designs with enthusiasts around the globe. Before making my exit, I lift my head to the heavens and pray that Nina Simone is smiling down on Summer as she endeavors to embrace and share with the world her style, artistry, message, sacrifice and legacy.
